Probably the closest thing to a horror film that the Coens have yet made, a semi-surrealist American nightmare set in a stand-in for their own Minnesota hometown.
No Country is an exceptionally difficult film because it doesn’t even hint at a resolution or solution to the fatalistic pessimism of the story. We’re left to figure out for ourselves whether harsh vision of reality it depicts is true.
In my mind, I draw a dividing line in the filmography of the Coen Brothers at Fargo, the blood-soaked, comedic take on the police thriller genre set in the filmmakers' native Minnesota. While my appreciation for the Coens' earlier work has grown over the course of writing this series, Fargo is the first of a … Continue reading The Coen Project Part 6: Fargo