Even though Inside Llewyn Davis is a period piece, it feels like a sharp reflection of the moment of its creation, more than any prior Coen film.
While the Coen version of True Grit is structurally a straightforward Western, on a deeper level it engages with a type of narrative that the directors had never attempted before -- the coming-of-age story.
Burn After Reading mirrors No Country’s pessimism, presenting inevitable suffering, failure and death in a farcical rather than purely dramatic context. The thematic parallels allow the films to work companion pieces, similarly to the complementary pairing of Miller’s Crossing and Barton Fink.
As far as rom-coms go, it’s a lot more com than rom. This is partly by design; the Coens are more interesting in playing with screwball and noir elements and crafting rapid-fire dialogue than they are in portraying an actual romantic relationship.
I didn't grow up watching horror movies, and until recently never thought I was missing out on anything. Horror is the only genre that seems acceptable to completely opt out of -- people don't say they never watch action films, or never watch period dramas, but I have plenty of friends who categorically refuse to … Continue reading Christine VS 80’s Round 4: Horror Edition
I haven’t officially signed up for the church of Dudeism, but I'll admit I'm a bit of a Lebowski fanatic. I've spent more time than anyone should trying to figure out what books the Dude has on his coffee table, and I own an (almost) exact replica of the Dude's Pendleton sweater. Despite these patterns … Continue reading The Coen Project Part 7: The Big Lebowski