1984 was a pretty big year for movies. Ghostbusters, The Terminator, Sixteen Candles, Temple of Doom, Footloose, The Karate Kid, Friday the 13th, and my beloved Beverly Hills Cop were all released that year. Since Stranger Things 2 is going to be set in the fall of ’84, I figured I had better brush up. Let’s get into two flicks that I’ve never seen before, Dune and Gremlins.
I recently completed a master’s degree, which was difficult, but not as difficult as completing the audio book for Dune, Frank Herbert’s ~classic sci-fi novel~. Dune is the story of a young asshole named Paul aka Muad’dib who becomes even more of an asshole due to drug use and power. It’s basically Game of Thrones in space, which is not nearly as much fun as it even sounds.
David Lynch is a director whom I was aware of but had no real knowledge of. I figured I would try out his version of Dune, mostly because I was curious to see how anyone would approach adapting the book. I do not recommend Dune as an introduction to Lynch’s work, but if you’re up for it, it’s… something.
The road that Dune took to production is a lot to unpack, but the short version is that it was originally optioned to be adapted by OG cult director and noted crazy person Alejandro Jodorowsky, who planned on casting Salvatore Dali, Orson Welles, and Mick Jagger in key roles, as well as his own twleve-year-old son as the lead. Jean “Moebius” Giraud (who would later contribute to Alien) was set to handle production design, and the soundtrack was to be composed by Pink Floyd and Magma. If this sounds kind of insane to you, you’re not alone. The studios balked at Jodorowsky’s overly ambitious adaptation (it would have been over twelve hours long) and instead hired David Lynch.
Because Dune is such a long and dense story, there’s an almost impossible amount of exposition that needs to be conveyed in order for the film to work. Lynch attempts to accomplish this in two ways. The film begins with a straight-up five minute explanatory monologue by the Princess Irulan, who in the book serves as type of narrator through excerpts of her written historical works that begin each chapter. She briefs us on the planet Arrakis (aka Dune), the houses of Anreides and Harkonnen, and the spice, the all important drug that makes space travel possible. In addition to the crash course, we hear the characters’ inner thoughts through voice-over to convey extra information. It’s not just the protagonists, it’s everyone, down to minor characters. This works in the novel because it’s a novel and that is how novels work. On screen, it kind of seems like everyone is just talking with their mouths closed for no reason.
Lynch adds his own weird touches of questionable narrative purpose, perhaps most notably the inclusion gigantic wrinkled worm thing floating in a tank. It’s supposed to be a Third Stage Guild navigator, which is something that isn’t in the first novel. Because this was not gross enough on its own, Lynch also includes many extended shots of the weird worm thing’s mouth flapping open and shut. Other fun touches include cat milking (not kidding) and the Baron Harkonnen drinking blood straight out of his servant’s chest.
The stoic director pictured with his weird worm thing.
Some good points: Lynch smartly cast uber-likeable Kyle MacLachlan as Paul, who does a good job of making me not hate him. Patrick Stewart is a welcome familiar face as Paul’s right hand man. Beyond that I am mostly grossed out and confused by this movie.
There is one important element of this film that cannot escape my mention: the puppies. The opening sequence includes a horde of bulldogs, and characters tote around pugs in many key scenes. The image of Patrick Stewart charging into battle with a giant laser gun in one arm and a pug under the other is forever burned into my brain. I am neither kidding nor exaggerating.
80’s Ness: 4/5
The Takeaway: PUGS NOT (Spice) DRUGS
When I was a child, someone foolishly gave me a Furby, 1998’s hottest and most horrifying toy trend. I don’t need to explain to you further what a Furby is. My overactive six-year-old imagination had me fully convinced that the thing was going to murder me in my sleep. My parents mercifully removed the object from our home, but my fear endured.
Because I am to this day repelled by anything remotely resembling a Furby, I have been putting off watching 1984’s Gremlins. But I have done it for the sake of this series, and I think my courage should be commended. Produced by Steven Spielberg and written by future Harry Potter director Chris Columbus, it’s an 80’s touchstone that I would be amiss not to tackle.
Turns out the fluffy Furby-esque thing that I was afraid of is actually not a Gremlin, but a Mogwai. Small-town aspiring inventor Randall Peltzer (Hoyt Axton) steals one from an extremely sketchy Chinatown shop as a present for his son Billy (Zach Galligan). No one questions the existence of this creature. No one is impressed or even surprised that it can speak primitive English and reproduce by a form of water-induced mitosis. The Mogwai itself (named Gizmo) is actually rather cute, but I’m not holding my breath because much like Titanic, I know from the title that this situation is going to go south very quickly. Sure enough, although Randall was given clear instructions on the safe care and feeding of the Mogwai, all of the rules are promptly broken, creating an army of scaly and mischievous Gremlins from a single Mogwai. They are still less scary than Furbys.
The Gremlins of course wreak havoc on the town, ultimately taking over a movie theater where they enjoy a screening of Snow White and The Seven Dwarves. I was kind of jealous of the Gremlins in this scene. I would love to watch a classic Disney movie on the big screen with all my buddies and unlimited snacks.
The funnest party ever.
Director Joe Dante added lots of classic movie references to Gremlins which are cleverly chosen and fun to spot. The setting in the small town of Kingston Falls is a nod to Bedford Falls from Capra’s It’s a Wonderful Life, which Billy’s mom is watching in the kitchen. Billy watches Invasion of the Body Snatchers, another film featuring monsters who incubate in cocoons. You can see posters for Road Warrior and the classic giant ant horror flick Them! in Billy’s room, and the town’s theater marquee features “Watch the Skies”, the original title for Spielberg’s Close Encounters of the Third Kind.
Due to an abundance of monster gore and some really dark discussions between the teenaged characters, Gremlins is one of the films along with Temple of Doom that prompted the creation of the PG-13 rating that year at Spielberg’s suggestion.
Columbus’ original script for Gremlins was apparently was even darker and grosser than the version that got made, since he was just creating a writing sample that he didn’t expect to go to production. Spielberg was so impressed with its originality that he bought it despite knowing that it would have to be toned down drastically to be family-friendly enough to sell as a kid’s movie. It’s pretty obvious that the spirit of the original spec script comes through in the final product. It’s a work of pure imagination, motivated by a deep love of cinema.
- Quentin Tarantino straight-up lifted the ending of Inglorious Basterds from this movie, right?
- Turns out I wasn’t the only one who noticed the Furby/Mogwai resemblence: Instead of suing, Warner Bros. struck a deal with Hasbro to produce a Gizmo Furby. It’s a huge improvement over the standard Furby. I would probably be ok with being in the same room as it.
80’s Ness: 5/5
The Takeaway: Gremlins just wanna have fun.